How to paint
Tools
Brushes
Pigments
Paper
Your studio
Getting Started
Color Theory
Technique
Matting
Documentation
Glossary
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You now have everything you need
to begin painting, but first...
You should consider the size of the paper you wish to use. If
it's not too large or to heavy in weight you should rip it to size so as to retain or give it deckled edges on
all four sides. Don't cut it to size with a pair of scissors
or an xacto knife! Watercolor paintings should have
deckled edges whether they are matted or not. It's an aesthetic thing.
The best method I know for
ripping paper to make deckled edges is
to take a metal straight
edge or steel ruler and lay it along a drawn line at the rip. The surface you're working on should be
flat. Grasp the tear off side of the paper
with your right hand at the farthest corner away from you
on the right side of the paper. Gently lift and pull the
paper up and slightly into the straight edge. Be sure to
put a lot of pressure with your left hand onto the
straight edge so it lays flat and doesn't move. It should
act as a stationary cutting edge. You should adjust the
grip of your right hand as you pull the paper toward you
by progressively grasping it's edge at spots closer to
you as the rip progresses. At the same time keep placing
and applying pressure with your left hand close to the
edge of the rip as it progresses toward you along the
straight edge. Do this until you reach the end of the
paper and the to two pieces separate. Persons who are
left handed should grasp the left corned furthest away
from them with their left hand and use their right hand
to hold the straight edge.
Next...
Consider whether or not you're going to stretch your paper. Stretched paper reduces warping and wrinkles, especially if it is 150lb. weight or less. To stretch paper you will need a wide flat board to stretch and adhere the paper. Use Kraft tape to adhere the paper. Kraft tape comes in rolls, is brown like Kraft paper, and has water activated gum adhesive on one side. The adhesive must be moistened with water. The board should be larger than the paper by several inches on four sides. Some art stores carry these boards, or you can purchase pre-cut pieces of 3/8 in. or 1/2 in. birch plywood at a local home store or lumber yard. Be sure you varnish or paint the plywood to seal it from water. An egg shell or gloss white paint works well.
Again, consider the dimensions of the painting. A white border around the eges of the paper isn't necessary, it's an aesthetic decision, but a border is useful if the work is to be matted. Remember too, that there must be space around the four edges of the paper to accomocate the adhesive paper tape. Enough space for the tape to adhere well to, say at least 1/2 inch if not more.
With your paper and materials ready, dip and submerge your paper into
a clean sink or tub of cool clean water. Don't use hot water as it may disolve the sizing on the paper. Soak it for 10 to 20 minutes, depending on its weight. A light weight paper will need to soak less than a heavier weight paper. When ready, lift the paper out of the water suspending it by one corner over the sink or tray to drain away excess water. Center the paper on the board and moisten 4 strips of pre-cut gummed tape that are cut slighly longer than the longest side of the paper. Moisten one tape strip at a time with a wet sponge just prior to laying each piece over the edge of the paper, adhesive side down covering least 1/2 inch of the paper. Try not to over moisten the tape. One pass of a wet sponge over the gummed side of the tape is enough. Too much moistening will dilute the adhesive and it will not adhere well to the paper. Adhere one edge of the paper to the board, then adhere the side opposite to it. Next, adhere another edge of the paper, and after that adhere the last edge. Lightly wipe across the surface of the paper with a damp sponge to remove excess water, and ensure that the tape is adhering well to the paper and the board.
As the paper dries it will shrink and become taut. Drying times will vary depending on the humidity and the weight of the paper. When dry, the paper will be taut and ready for painting. Don't remove the painting from the board until the painting is completed.
When completed the painting must be removed from the board by cutting away the kraft tape at the edge of the paper. Some people leave the tape on the painting. I don't care for this practice, but it is acceptable if the work is to be matted. Flat head tacks may also be used to stretch paper, but I think it easier to use paper tape. The advantage to using tacks is there is no adhesive paper tape to cut away or leave on the painting.
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